
Silver Branch
series
David Hanlon

David Hanlon is a Forward Prize, Pushcart and Best of the Net–nominated poet from Cardiff, Wales. He is Co-Poetry Editor at The Broken Spine Arts and the author of Spectrum of Flight (Animal Heart Press, 2020) and Dawn’s Incision (Icefloe Press, 2024). His work has appeared in Anthropocene Journal, Rust & Moth and trampset.
He began writing poetry in his late twenties following a period of personal difficulty, turning to poetry to process the experience. His work explores identity, queerness and meaning, influenced by existentialism, art cinema and music by Björk, Lana Del Rey, Laura Nyro, and Scott Walker.
Two Headless Snowmen
Life— a parenthesis
pressed between frost and twilight.
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Snow blooms beneath my boots,
slow-breathing earth.
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My trench coat hums;
Sinatra drips from amber-lit air.
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I turn a corner—
light lasers verglas
on brick and bark.
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Two headless snowmen—
glove-craft: sculpted stone
and swan-ice.
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Their faces melt
into the sun’s frost-flecked spill.
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Fate puddles gold
in the mirror of thawing rivulets.
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We too— coral-boned,
time-creased, dissolving to salt.
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Sightless snow-boulders
melting toward the hollow of night.
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Nominated by Black Bough for the Forward Prize for 'Best Single Poem' (2026)
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Needle Mountain
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Imagine slender steel
rising from the earth’s cracked lip—
a point honed by misfortune,
the knife-edge of life
balancing atop it.
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Feet puncture.
Blood threads downward,
and the mountain drinks—
pulse by pulse.
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We barter skin for shelter,
trade hope for tether,
cling to slick sides,
to paths spun from fraying sinew.
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The wind howls
in tongues we cannot answer;
our mouths are stitched shut
with frozen silence.
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Above us, birds
with needle-feathered wings
embroider the sky,
stitching clouds into scars.
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Below—only a gaping mouth,
only the swallowed.
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Needle Mountain shivers,
quenched yet starving.
It dreams of threading us—
through its hollow eye—
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one by one—
until our lives
are sewn closed.
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And still,
somehow—
threadless.
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Every Thread a River, Every Hole a Space
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A burgundy river coils through your crow’s feet:
crumpled banks of skin, sedimented in sun-iron.
September seeps its bruised dusk across your shoulders;
summer has ghosted, leaving its army of molten light
to rot in memory’s cellar.
You are a shattered hourglass,
cerulean sand spilling across a collapsing face,
each grain a shard of sky.
Lips cratered like dried volcanic ash,
oysters split open like bruised moons,
each a penitential skin
you wear like knotted wire.
Record a WhatsApp confession,
launch it into the void of no one and everyone,
drown in oil and brine,
press a blurry spine against the lens of 20/20 vision.
Favourite sweater snagged,
fibres unravelling into brittle lichen:
hang it in the scarlet wardrobe,
press it to your undulating chest,
to the steady rhythm of a corpse.
Shadows bristle—
a gaze unspools,
thread into hole,
hole into river.
Reemergence—
a cavernous current swells in your chest,
armoured in mercury currents.
Flood into it,
grow until the last crocus of spring
erupts like obsidian fire.
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Seamwork of the World
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after hearing Joanna Newsom’s Ys
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A thread pierces the needle of the air—
a harp-string shivering like captured lightning—
and something burrows into me,
foetal, clawed,
curling around fistfuls of mineral-dark soil,
a cooled meteoroid
fracturing into molten silver veins
that slither through my sternum,
hissing and thrumming like starlight in bone.
It keens through the ribs—
an ember chewed by violin teeth,
the bow rasping open a seam
into the raw genesis of this world.
From that seam, it spills—
forest breath twisting into fractal spirals,
the owl’s interrogation slicing the marrow of night,
moss clutching stone with green-fire claws,
rain liquefying into swan shadows,
a raccoon rifling clover as though it knows the cosmos,
hooves whispering secrets over snow like inked Specters.
Her harp—
its thousand silver ladders
threading the night with lightning-silk,
each arpeggio a net snagging collapsed stars,
each glissando a river unspooling backward,
pouring into the marrow of the earth,
into my marrow,
into every sinew that trembles awake.
A path of knowing winds through m e—
soft-footed, cat-eyed, glinting with dew and phosphor,
leading to a meadow
where wind chimes tinkle inside mirrors of hay and sparrows,
where air hums with the pulse of unseen creatures,
all of it blooming inside my flesh,
shimmering
like liquid auroras unspooling through veins,
a body dissolving into myth,
supine beneath the constellations
of memory, fire, and unspoken worlds unsewn.
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Self-Portrait as Starlight and Vinegar
after Tori Amos’s Boys for Pele
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I walk indigo corridors
of cathedral hush,
ribcaged in pipe-organ breath,
a labyrinth vibrating
with scorched lace veils and crackling static.
Tori waits at the centre,
not still,
but spiralling—
harpsichord ripped open like raw bone,
pluck by trembling pluck,
she screams a widow into my marrow.
No hammer,
only feathered violence—
a tremor of petalled blood
shattered across the keys,
their thorns quivering in resonance.
Bodies dissolve,
skin melting into song,
flesh folding into midnight tempo,
spines arcing like lightning.
And I—
I devour it.
That raw, cobalt stability
floods my veins with liquid thunder,
quivers through my sinews like living wire,
my skin a cathedral of fire,
every pore a resounding bell of molten light.
She baptizes me in flame,
hurls my old names
into Pele’s open, molten throat.
I rise, sacred,
flesh incandescent
from the ashes,
hair tangling with smoke,
bones vibrating with starlight and vinegar.
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Macromutation
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Rarely, frogs erupt from flesh with eyes
where soft, wet mouths should gape—
an anatomy unstitched,
organs blinking where they ought to sleep,
a body that ought not draw breath.
I imagine this grotesque benediction
bestowed on my translucent, waxen child—
eyes trembling from the soles of its tiny feet,
striding through honeyed, viscous air,
or dissolving into the gelid core of my skull,
palms cupping the viscous world,
tasting its flickering, pulsing weight,
knowing—
when, at last, to turn its gaze
from the searing tide of living light.
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Lucid Dreaming
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In my latest dream,
a nest arcs like a flying dinosaur,
and a bird carries a migrating home.
I crouch beneath its wings—
roofs against a monsoon rolling through my chest,
nuzzle whisper-close,
feathers brushing, ruffling bone.
Chirps pierce the cleaved sky at dawn,
splintering the wet slumber that clings to my ribs.
Through a hatched-egg window,
my gaze climbs:
twigs veined like fossilized lightning,
branches prehistoric,
crimsoned by a pink sunrise.
I slip through a keyhole;
my eyes meet a hooked beak—
displacement claws my chest,
tiny talons digging memory from marrow.
Birdsong bursts wide as life,
the world hums an ephemeral hymn,
and I let it flow through me,
dawn washing me in liquid gold.
My arms become teal wings, copper keys,
unlocking every door weighed down by gravity,
every door hung with shadows.
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Bowel of Anticipation
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The curtain sags—faecal with nicotine.
You appear as you always did:
stains on cut cloth,
death-living, life-deathing,
hyphenated griefs pulling apart
with sloth-nailed fingers,
sinkholes blooming in the weave.
A green smoothie curdles by your lips,
flax seeds burst like tiny lungs of need.
Steam curls—a lavender ghost—
coiling through the smoke-thick air.
You whirr within the bubbled foam,
your voice surfacing, dissolving again.
Sharp stretch, clawing, scratching—
an alley cat stirs inside my gut,
gnawing at the unsaid,
bowel-hearting, heart-boweling,
language twisting through skin and waste.
Each pulse is a protest—
against the stone-eyed believers,
the self-satisfied bright ones
who choke on their own light.
I cough up the wishes I swallowed whole,
their edges catching in my throat.
Bowel, heart, world—
all waiting, thick with angst,
the curtains dripping tar and bathwater,
and still I remember you—
you—before absence took your shape.
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Liturgical Kite
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An open mouth, cleaved bread,
chalice lips spilling violet floods.
My outstretched palm—a hand
short of prayer.
Frost snaps bone-bright
against bare skin,
etching the cold into marrow.
His name scurries between my fingers
like a wiry-tailed rodent through cracked concrete,
vaulting from cupped hands,
billowing into the wind-ripped cerulean sky—
the expanse a confession box,
every unspoken sin humming against my ribs.
The thinnest kite string splinters
in calloused hands
and ghost-lit flesh.
I steer the billowing,
but the air clamps its invisible fist.
My mouth floods with thorns,
piercing inner cheeks;
the sour taste of old bread and vinegar
scalds each raw seam.
I cannot let go of the tether,
even as his name pulls and ripples—
each letter a tiny liturgy
evaporating at our altar,
quivering eulogy closing my throat.
Wine sours this tongue,
spills from these lips.
Forgive me, Father—
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Early September
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I wake thirty-seven again.
Summer turns ghost
in a snap of fingers,
as if you’d severed ties
with a friend over nothing.
The heavy lid shifts.
The sewer yawns.
Sourness rises.
Summer was radiant—
a reprieve from near-deaths
hatched in hospitals, in March,
spilling from brittle, cracked shells.
Black rivers gushing
into your stretched mouth,
congealing your larynx.
Every green shoot stamped
into thick, muddy earth
by a stiletto heel.
Now light is a face
shut behind memory’s slats,
a gnawing ache
in your creaking, foul chest.
Your eyes scour for clean water,
for wood not yet warped.
Hands drag the lid.
Arms stretch to snapping.
Fingers flick. Flicking.
Every switch.
To reignite a friend.
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Love in the Key of Dissonance
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Scott Walker sheds melody—
ghostly baroque melts
into metallic thunder,
felt beneath shuttered eyes.
Fingers trace electric edges
along the spine of dusk.
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Deadline Dream
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I stir, eye mask pressed tight,
fingers sparking lightning across keys.
Sweat slides in torrents down temples and spine.
Hands pound—thrum, thrum, thrum.
The last key strikes; air floods eyes,
mask loosens, lungs open to dawn’s blaze.
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The Child of Ashes
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is possessed
by a long-
dead dictator
burning
towers, books,
and cities
into smoke
that curls
through your body.
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Neo-Tokyo Through Your Senses
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after Akira
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Smell the acid of a cyberpunk poster
curling from your cerulean wall.
Hear a neon blast crack through the night.
See your vision spiral into biker gangs.
The city climbs your nose—metal, smoke, oil.
Sneeze sparks of burned circuits.
A blue-and-white capsule fizzes
across your red-jacket tongue.
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Rage in C Minor
after Tori Amos’s Boys for Pele
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Bolting on the treadmill,
throat burning molten acid,
I fling it back into the screaming pit.
Leg slams, keys rip apart,
harpsichord shatters,
air fractures in jagged spikes,
strings snap, skins tear,
sound howls, blood hums,
fingers claw, hammer, shred.
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Inkblot Keepsake
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Blue-lit diorama, still coursing—
a miniature life frozen
at the curve of your silver beard.
Now a tiny inkblot you carry
beneath the bristle:
bristles fray like frost,
a crease of paper soft with fingerprints,
a folded coin tucked in the corner.
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At the Folds of Eyes
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The skin rivulets at each fold—
I shrink to swim them,
lick the tear’s cool pool,
vessels of vision flooded
with signals and light.
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Hollow
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somewhere a spleen ruptures,
blood trembling into shadow.
somewhere else,
newborn eyes split the air,
blinking wet and raw.
i close my eyes,
palms press into the hollow
where my stomach once curled,
searching for the shape
that folded itself
into darkness.
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Bulb in My Chest
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Fingers sift the soil.
A bulb gleams, damp with breath.
The cage of ribs holds light
like a cracked jar,
leaking warmth into the dark.
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Extinction
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The museum hushes.
A glass case glows.
The T-Rex’s jaw—open,
teeth like peeled paint.
My palm on the glass,
its chill holding my breath.
In her hand,
a smaller dinosaur,
mouth sealed.
'In my writing, I begin with images that feel charged with meaning: small, everyday moments that open into something larger, which I then try to follow and expand. My work is confessional and rooted in lived experience, shaped by what I have carried and what I am still learning to understand. It returns to love, suffering and change, and to experiences of marginalisation, including the homophobia I faced growing up. As a queer writer, I return to how these experiences are held, survived and reshaped over time.'
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'I write to connect, creating work in which readers might recognise something of themselves and feel less alone. Through my counselling training, I encountered existentialism, which deepened my interest in meaning and in how it is made and unmade in daily life. I am drawn to how suffering can emerge from its absence, and how we move through contradiction: a world of love and hate, joy and suffering, and the effort to remain whole within it.'
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David Hanlon, June 2026

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